READING

The Shape-Shifter’s Equinox: A Ritual from the Bon...

The Shape-Shifter’s Equinox: A Ritual from the Bone Cave

A somber sun was setting on the season of death, and I raised my hood against the last winter wind while the ghosts of pagan-midwives drummed us all into the dark. I hummed. I wept. I followed these wise ones into the birthing cave, stepping in time with the rhythm of this ancient dirge my soul remembered but my modern mind forgot. I heard them, these unseen others, when they sang their spectral eulogy into the inky gloaming while the sun splintered into one hundred million verses. I listened while they drummed the snows to death and the seeds to life, but I feared for my lost innocence. 

The season of death was done, but no echoes of soft-petaled birth poetry echoed inside my bitter witch’s heart. My tongue was dry. The fires of my rage lay cool and smoking in my gut. I was a walking death shroud, poorly stitched and wrapped ‘round the corpses of cut trees and severed roots. No bright-eyed dream-weaver had come to light the candle of hope while I slept. No laughing ancestor had whispered what I needed in this, the time of the unnamable ache. Spring had come, or so these bone-women sang, but I saw no signs of butterfly wings.

The dark mouth of the first spring night swallowed me whole, and I closed my eyes so I could better see the shape of their skulls. These bone-hags, these gods before there were gods, they circled around my broken-by-winter body and drummed hard on the skins of dead kings who once fed on children’s tears. I wailed with them while they sang of the sickness of dying rulers who wear crowns forged in young men’s blood and plated with ill-gotten gold, who sit in empty playrooms and plot wargames, who forget the wisdom of their own seer-grandmothers who would put them to bed until they could better dream and better be. 

My limbs twisted into unnatural shapes, and a primordial pulse overtook my womb. I clawed into the mud, and my insides churned like a saltwater eddy full of wild. I howled. I spit. My spine ached in time with the bone-women’s drums. I coughed into the dirt. I retched my righteous rage into the ground where the graves of the grandfathers could hold it. I shapeshifted into a lone wolf-mother on all fours, and I made those sounds a beast makes only when death and life enter the birthing cave, arm-in-arm and looking to dance.

I kept going. The hags kept drumming. I surrendered to the swell. A cosmic egg cracking open, I was. A seed’s shell busted to dust from the inside out, I became. I let go of my more rigid forms, and I let this eruption derange my joints. I was a great falling apart. I was destruction housed inside failing flesh. 

The bone-spirits mirrored my unholy body prayer, and the deer-women with their own swollen bellies came to sit in this song circle to mind my mood. For an eternal instant, I was a falling star hurdling toward earth, a hollow-faced angel with severed wings losing all memory of light. I tasted blood. I heard the hum this hallowed planet makes to call its souls home, and all went cold and still.

The drums went silent. The song had ended, and I opened my eyes to find myself alone on a cave floor scattered with antlers, bones, eggshells, and afterbirth. I marked my face with imaginal cells and the blood from my thighs. I walked from the cave into the dawn, letting the morning fog wash away the last of winter’s flaked skin and cradling my tender hope like a newborn.

  • Author Posts
Danielle is a heathen visionary, Aquarian mischief-maker, and word-witch. The author of Woman Most Wild and The Holy Wild., she teaches internationally and has facilitated circles, embodiment trainings, communal spell-work, and seasonal rituals since 2007. She is the founder of The Hag School, the lead teacher for the Flame-Tender Teacher Training, and believes in the emerging power of wild collectives and sudden circles of curious dreamers, cunning witches, and rebellious artists in healing our ailing world. As an Irish-American, Danielle’s witchcraft is deeply rooted in Celtic philosophy and Irish mythology. She believes fervently in the role of ancestral healing, embodiment, and animism in fracturing the longstanding systems supporting white-body supremacy and environmental unconsciousness, is committed to centering the voices and teachings of POC and LGBTQIA+ folks in her work as founder of Living Mandala, LLC and The Hag School and supports organizations and initiatives that do the same. Parent to two beloved wildlings and partner to a potter, Danielle fills her world with nature, family, and intentional awe. Find her praying under pine trees, wandering through the haunted places, and whispering to her grandmothers’ ghosts.
  • The Shape-Shifter’s Equinox: A Ritual from the Bone Cave
    A somber sun was setting on the season of death, and I raised my hood against the last winter wind while the ghosts of pagan-midwives drummed us all into the dark. I hummed. I wept. I followed these wise ones into the birthing cave, stepping in time with the rhythm of this ancient dirge my […]
  • samhain the house of twigs danielle dulsky samhain all hallows eve
    The Witch’s Long Winter: Slow-Brewed Samhain Wisdom from the Three Hags
    A somber sun was setting on the season of death, and I raised my hood against the last winter wind while the ghosts of pagan-midwives drummed us all into the dark. I hummed. I wept. I followed these wise ones into the birthing cave, stepping in time with the rhythm of this ancient dirge my […]
  • Stitching the Moon: The Bone-Hag Who Weaves the World
    A somber sun was setting on the season of death, and I raised my hood against the last winter wind while the ghosts of pagan-midwives drummed us all into the dark. I hummed. I wept. I followed these wise ones into the birthing cave, stepping in time with the rhythm of this ancient dirge my […]
  • sun god summer solstice creative writing witchcraft wildwoman danielle dulsky the house of twigs
    Song Spells at Dawn: A Solstice Sun Ritual for the Gods in the Ground
    A somber sun was setting on the season of death, and I raised my hood against the last winter wind while the ghosts of pagan-midwives drummed us all into the dark. I hummed. I wept. I followed these wise ones into the birthing cave, stepping in time with the rhythm of this ancient dirge my […]
  • the house of twigs Verses Wild Witch Sensuality Witch Heat Danielle Dulsky
    Rite of the Returned: The Springtime Majesty of a Witch in Heat 
    A somber sun was setting on the season of death, and I raised my hood against the last winter wind while the ghosts of pagan-midwives drummed us all into the dark. I hummed. I wept. I followed these wise ones into the birthing cave, stepping in time with the rhythm of this ancient dirge my […]
×
Danielle is a heathen visionary, Aquarian mischief-maker, and word-witch. The author of Woman Most Wild and The Holy Wild., she teaches internationally and has facilitated circles, embodiment trainings, communal spell-work, and seasonal rituals since 2007. She is the founder of The Hag School, the lead teacher for the Flame-Tender Teacher Training, and believes in the emerging power of wild collectives and sudden circles of curious dreamers, cunning witches, and rebellious artists in healing our ailing world. As an Irish-American, Danielle’s witchcraft is deeply rooted in Celtic philosophy and Irish mythology. She believes fervently in the role of ancestral healing, embodiment, and animism in fracturing the longstanding systems supporting white-body supremacy and environmental unconsciousness, is committed to centering the voices and teachings of POC and LGBTQIA+ folks in her work as founder of Living Mandala, LLC and The Hag School and supports organizations and initiatives that do the same. Parent to two beloved wildlings and partner to a potter, Danielle fills her world with nature, family, and intentional awe. Find her praying under pine trees, wandering through the haunted places, and whispering to her grandmothers’ ghosts.

RELATED POST

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Creative Commons License
This work by The House of Twigs / Author of Article is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.